Posts Tagged ‘chaos’
Work in progress, “Organised Chaos”, mixed media by Marianne Slevin 2010
This is a photograph of a painting that I was just working on. I started it about a month ago and left it, not really knowing where to go next with it. I started it using pencil and pigment on cardboard. There was a drawing of branchlike lines and root-like lines beneath, our children had drawn something on it (they were allowed!) Then it was painted around the drawing with pigment.
I had been thinking about my art and how maybe I could combine many of the different aspects of the ways I work in one piece, such as working on the idea of mycelium but ion a freer way that my be more dreamlike and open to include other interests and intuitions. Content and focus can be great but sometimes you got to let go a bit and be more spontaneous and in the moment. I suddenly realized that I was like a painting I started about 14 years ago, but taking it to new places. It was like revisiting a moment in time, but with a different perspective. Now looking around the studio it does kind of knit much of the work together, like a missing link, maybe.
I have started reading about the chaos theory, it is early days yet to say how much or little it relates to my work, but so far it is fascinating and I am also fascinated with quantum physics, particularly an experiment where they discovered atoms behave differently when they are being observed. The one experiment I found is called Dr. Quantum Double split experiment. This really leads me to all sorts of wonderings! So what we see is actually changed by us seeing it. Are paintings and other Visual Art changed by those who view it? This is a theory James suggested being a possible reason for certain art works becoming exceptionally famous compared with other works of a similar quality. We noticed that when people came into the gallery a really liked a certain painting, often the next few visitors would also comment on that painting, had the previous viewers actually changed and energized the atoms in the painting by viewing it? And if viewing a piece of art with a positive feeling adds to it and if viewing it with a negative feeling takes from it? Maybe we will do this experiment one day, as James suggested. Has anyone any thoughts or experiences on this, I would really like to learn more about it, so please feel free to voice them.
Much of the work I make explores the space between poetry and absurdity and order and chaos, it is along this shoreline that I find many great things happen; the surfers playground between deep ocean and land. Chaos is converted to order then back into chaos. ¨Journey to the moon, between two worlds astronauts sing¨.
I am fascinated by words and the ancient three lined, 17 syllabled Haiku poetry. Matsuo Bashō is one of my favourites. I have spent many years attempting to write my own versions of Haiku. In the mixed media on board pieces, Forty days travelling in India and Travels in Thailand you can see some of these Haikus. I also use text as an important aspect of the work. Such as in the painting Open your heart then open it some more and in We, where it says We both think something different but we both think the same. I see words as being very powerful and sometimes I prefer to write something meaningful to get a message across and leave the associated imagery up to the viewers imagination.