My art practice and everyday life can blur into one another so much that it is impossible to separate them. I often use everyday materials that are already in my life but somehow call me to create something with them, such as brown paper bags turned into poppy seed heads, a broken umbrella, the biker leathers James gave me for my 34th birthday. One day I put on these leathers and my back went for no apparent reason, we both thought that I needed to make some art with these leathers, some healing needed to be done, my back recovered!
My own art journey travels to the invisible and tries to make it visible and overlooked reconsidered and repositioned. I like to combine things which are rarely seen together; relocating them, such as painted words on clothes, both clothes for humans and in the past horses. I often use text in my art practice and see words as having a lot of power, like prayer flags.
However I do not limit myself to making or recreating objects solely, I move freely from the flatter lands of painting and drawing, printing, collage and photography and into the rolling hills of solid object land, I also enter the disappearing and reappearing land of video from time to time. As well as the land, sea and sky itself with environmental and time-based works. Sometimes these all overlap.
James Slevin is both my partner in life and my muse. In the past it was usual for male artists to have a female muses. We work together, I make, but he somehow sees from a distance with more clarity where the piece is going and guides it in a very gentle and perceptive manner, not changing its destiny but helping it to fully reach it.
(This statement is to go with my resent work, which is hand made objects and instillation art, though it is connected to my painting I have a separate statement for my painting written by a great friend and art writer.)