Posts Tagged ‘drawing’
Scarab With Woman Pattern
Work in progress,” Scarab with woman pattern”, pencil on paper, Marianne Slevin 2010
This image is from a dream I had last night, I was amazed by it in the dream and also on waking! Today I went for a walk with my family along the cliff from Doolin towards the cliffs of Moher, it was spectacular! When we stopped by a large sloping slab of stone after laying down on it for about 5 minutes I picked up a sharp piece that had broken off it and drew something like this onto it. It will be washed away in the next shower of rain, I am sure. However I like this fragility in art and am trying to come to terms with it in life!
I am still working on some jellyfish paintings in the studio, shifting from one material to another can be really refreshing; drawing with the sharp nib of a pencil or even a rock after using oil paint on a kind of loose way can keep things fresh, and surprising.
Mycelium Drawings on Maps
Mycelium Map 2, ink and pigment on map, Marianne Slevin 2010
Detail of the above, baby starlings feeding
Below:
Mycelium map 1, ink and pigment on an old map, Marianne Slevin 2010
Yesterday a swallow came and sat on this map drawing when in was folded up, it stayed there for about one hour, it was not the one of the baby starlings but close enough!
To be continued
Mycelium Drawing
Charcoal Pencil on transparent paper, Marianne Slevin, March 2010
I have been painting using different layers for a long time so now I am using the paper to create the layers instead. I am very drawn (excuse the pun!) towards this effect. I used the same paper to make small hand made books before, so some words were fading out underneath other words, this created a random kind of poetry or word combo! I love using materials and certain techniques to create a sense of mystery and kind of orchestrating them! Playing with opposites such as control and allowing things to happen and finding some rare little jigs between them, as apposed to “balance” which for me has the connotation of being a little dull and without much room for sidesteps and deviations.
Mushrooms Rock!
Pencil, Biro and pigment on paper “Mushroom Field” Marianne Slevin 2010
It is funny when you discover the same thing coming from several different sources at round about the same time. Today has been a lot about mushrooms for me. How mushrooms can help save the earth. I just watched a great video on TED T.V by Paul Stamets about solutions to help save the earth. They grew Oyster mushrooms on some land where there was toxic waste and the mycelium, a fine but strong branch like network covered the land producing mushrooms actually revived the land and soon there were insects and birds and it was an oasis of life once again! Fungi uses radiation as food, Mycelium can absorb oil, it can even brake up rock.
The drawing above was from the idea of mushrooms saving the earth but done before I had seen the video more about my imagination then facts. This morning one of the Tweets I was reading jumped out at me so I followed the link about this discovery that mushrooms may save the planet. It totally inspired me. This drawing is like an elaborate doodle, very enjoyable to draw! I think there will be more to come on this amazing fungi at work!
Releasing the Grip
There are many things that we believe about ourselves that keep us in a nice neatly wrapped up package of what we call ourselves; such as I am a vegetarian, I am good with horses, I am good at cleaning, I am never angry! The truth can be a little different sometimes! Often for the sake of easiness we will put ourselves into a box. I am a painter sometimes and a person who does different sorts of creative things, and if I try to make too much sense out of what I do it starts to vanish.
The pressure that comes from trying to be a professional artist aged 30 something can lead to feeling that by now I should know what I am doing. I should be clear and concise and be producing large bodies of work all finished and ready for hanging neatly in a gallery. That the work should have an undeniable style and theme. Now the truth is more messy then that and hopefully less boring too. The truth for me is that certain themes come and go over the years, that there are several different styles and every piece of art I make is different, this could be to do with the fact that I nearly always start a painting with pretending that it is the first painting I ever did, and seeing what emerges. I think that when you see an artist’s work that all looks very similar it probably has come from a more conscious place in the artist, and that is a valid way to make art too. I think that often galleries and the audience are more comfortable with it. This is probably why so many artists feel that they should make matching work, it looks much more together on an application.
I often intend to make a series of drawings or paintings, but after about two pieces I have lost the desire to continue, it just feels fake. Though this may happen naturally over time if it is not forced. A few times with certain types of art work I have made a series of them, such as painted text scrolls, but when I try to make a piece similar to other work it just feels like a clone and not the real thing! How ever this could all change and this time next year I could be working on “Wind blow tree No.105”!