The secret gallery’s blog

Maybe the first secret gallery in Doolin, Co. Clare, Ireland

Posts Tagged ‘interventions

Grass Hearts, a little journey

leave a comment »

DSCF2849

 

DSCF2846

Cut grass, aluminium printing plates and tent pegs on the way into the Secret Gallery. These are my alternatives to news papers! My friend found these sheets of aluminium beside a skip, I think they are used for printing news papers. I have used some of them for dry points and a few of these even have marks scraped into them ready for printing. Our children helped gather the grass for me. I wonder will they turn into hay hearts! I enjoyed doing some land art/ interventions again and hope to do more, maybe along The Burren Way and the coast of Clare.DSCF2848

Have a Heartfelt journey where ever it my take you! And remember I am having an exhibition in the Courthouse Gallery in Ennistymon, Co. Clare with two other artists on 14th August at 8pm, I hope you can make it!

Advertisements

Written by Marianne Slevin

3 May, 2009 at 12:57 pm

Water, some Rose Oil and a Hand

leave a comment »

DSCF2507

The moon is reflected in a distant rock pool

 

DSCF2566

Caretakers of the earth not owners

 

DSCF2530

All part of the same thing

 

 

DSCF2560

Little waterfall

 

This morning James set me a challenge. It was to spend one hour in the bathroom with my camera. This challenge James said was to do with the fact that we as humans  like to put ourselves in places and situations where we can just go on auto pilot and hence use minimum effort, this can be good and bad. So doing this challenge forced me to do things that are different from usual. It is also my idea of bliss to spend an hour on my own in the bathroom, but I would not have thought of bringing in my camera so it was even more fun! These photographs relate to earlier interventions of mine, it was really nice to play! It is wonderful to have someone to think of interesting things to do that help you feel creative. Thank you my Muse!

Written by Marianne Slevin

15 January, 2009 at 12:45 pm

Laying a line of Mother of pearl along the garden path

leave a comment »

Today, I suddenly started to tidy up the garden, it had got pretty neglected looking. A month or so ago, I had put a kind of trail/ladder of mother of pearl shells and driftwood down the garden path. Gradually it had turned from a line to a tide line to a messy bird picked, children kicked, moss covered and even seaweed-like, green balls of slime infested path, with some random shells and driftwood on it!

I cleared (I am trying not to use weed killer, my hands have aged about 50 years in a single day!) and edged the path and washed the shells and relayed the trail, starting this time with oyster shells, then driftwood going up as far as the little tree, and up to a branch! Then I lay the Mother of Pearl shells, it was such a meditative experience; gathering the shells then washing them and laying them out carefully. It felt like a lovely ritual, I would like to do it once a month or so.

Even after the big tidy up, the path was still a little messy and mossy, and wet and ended in a Turlough, complete with strange green slime balls!(Does anyone know what these rootless, spreading, weird things are?) Placing these perfect, beautiful little shells on top of natures contributes of it’s persistence and constant reclaiming and growing back over the man made path, both gestured at poetry and absurdity! This felt like a meditative ritual, creating a space to be very quiet and work in a gentle way with nature. When doing my interventions I like to introduce unexpected objects to a place, they tend to be playful and often quirky: changing the way we see things by putting them in a different context.   

Written by Marianne Slevin

7 October, 2008 at 10:26 pm

Memories of interventions and other things in the Burren

leave a comment »

Walking on rocks the sea covers.

Watching words in the sea

being covered and uncovered by sand.

Wind blown drip drawing

indigo and gold.

For a moment the sea looks white like a milk pond.

Two crows on sea warn grey rocks.

Do the boat like vessels still drip indigo tonight?

Where is the dolphin sleeping tonight?

Is there shelter beneath the great tall cliffs?

Swell of wind blown grasses and sweet flowers.

Sea and rain hollowed rocks hold little pools of sea water.

The stony beach looks different today, hills of rock.

Roaring sea.

Returning home, stepping on sun-warmed rocks.

Rock pools like rivers.

A trail in the sand of an unknown bird.

Tide lines.

Written by Marianne Slevin

1 October, 2008 at 9:59 pm

Art and part time insanity

leave a comment »

Being an artist is a little bit like “controlled insanity” or “part time insanity”! Functioning reasonably normally to survive and maintain a calm exterior! However when it comes to making the art, normality is simply disregarded! Perceptions of reality are challenged and rearranged.The imagination buttons are pressed on fully. There are no rules to make the journey a little safer or predetermined. Bravery and honesty are just some of the requirements that are taken for granted when making art.

I find myself often simultaneously diving inwards and outwards; into the deepest parts of me and out into the universe and seeing which correlates. For example,  something I see in the landscape strikes a chord a resonates deep within me, then I start to pursue this. There needs to be a sense of discovery while I am making the art; to feel like I am making some kind of sense out of chaos. Or learning about our own nature from the nature we inhabit and are part of.

I am fascinated by the cycles in nature and natural order and spiritual science. Much of my interventions take on a quasi-scientific approach, sitting on the knife-edge between poetry and absurdity. I don’t fully understand why I do them, though they speak from the part of me that is in awe and amazed and that cannot be a bad thing!

Written by Marianne Slevin

18 September, 2008 at 4:29 pm

Interventions on the beach at Fanore

with one comment

Today was a lovely day, part of it involved a journey to Fanore beach. I did something that I had not done for a while, that was go for a walk on the beach on my own with my old camera, sorry no images yet, I will have get the film processed! The sand was formed into miniature sand dunes with little islands of no dunes, in these islands  I wrote words, such as: Love, unity, joy, smile, laugh and Free Tibet.

I also found the piece of silk from a Foxford blanket  that had been a wedding present given to my parents. I had been carrying around in my camera case for years, taking photographs of it in different situations. The pale blue piece of silk was very fragile and had come away from the rest of the blanket. I repaired the length of silk with horses hair. It reminded me of the the white silk scarves that it is traditional for Tibetan Buddhists to give when they met someone. It also reminded me of the Tibetan prayer flags also known as Wind Horses. I took some photographs of the silk going across a large rock, in places it was a bridge and in there places it was a pale blue path. It was fun to do these playful interventions again.

The last time I did an intervention on Fanore beach was 7 years ago when I stuck bamboo leaves in the sand I had written words about the surrounding area on the leaves, then waited for the sea to come in and to see what would happen the leaves; how the words would be effected by the sea and how the leaves would be dispersed and float on the in coming waves, and I documented this. I enjoy the playful, poetic, absurdity of these interventions!

Written by Marianne Slevin

4 September, 2008 at 11:01 pm

Happenings and Interventions in the landscape and urban spaces

leave a comment »

Things seem to move in circles and 8 years ago I spent a month or so living in the same cottage that we all live in now. I was making work for my M.A. Show. I did interventions which were documented with photography and one video which was of the sea coming in over a sheet, that had text written on it in indigo pigment. I did a series of Wind Records which were made by hanging hand made vessels that dripped indigo pigment and oil onto large sheets of cotton, each one was different; as the wind determined the pattern of the drips. I also made a collection of rain records on rice paper, the rain actually disintegrated little holes and made marks and corrugations through the paper.

  A lot of the interventions I did at that time were playful and kind of visual affirmations of a more harmonious balance between us and nature or between our wild nature and our intellect. Such as taking a sheet of words which were the human aspect, to the sea which was the natural element, then the sheet of words and the sea would do their dance, sort of a playful prayer, or dialogue between the words and the sea. As well as Flour on car roof, which looked almost like archipelagos in a deep blue sea or snow covered mountains!

I also believe that words are very powerful and either written or spoken their vibration ripples out into the universe. There is a scientist who took photographs of ice crystals that formed around certain words, they found that the crystals that formed around positive words such as Love were beautifully formed and the formations around words like `hate´were jagged and all over the place.         

One of the sheets of words I made the words were written while I was walking in the Burren, and about what I saw while I was walking; describing the nature around me. These interventions have been documented and now are made into small folding hand bound books that we now have hanging in the Secret Gallery. It has been a while since I did any of that kind of word work but I think it wont be long before I do again!